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A couple of months ago I reviewed the newly released iOS version of the Mediaeval St Andrews App. Although I praised the content, I ran into an awful lot of problems with the implementation. I encountered lots of bugs, and was particularly concerned about the central design decision that meant the app needed to be always connected to the Internet, so it could download multimedia data, restricting the app’s use out and about – for example on foot in St Andrews – on a WiFi only device like an iPod touch (which I have) and a WiFi only iPad (like my Dad has).

A new version of the app was released a few days ago. I am pleased to say that almost all the issues I raised have been now fixed, including the always online issue. The iOS app design has been completely changed from an 8MB core download with constant Internet downloads of resources to a 312MB one-off installation, which installs all the multimedia resources (pictures, video, sound files) at first installation, which means that the app can now work offline and online. This increases the initial installation time and space required, but makes the app more flexible in when and how it can be used. It also has the benefit of making the app now seem much more snappy and responsive in general use. With the original version there was a noticeable lag opening up sites and multimedia resources, caused by the app constantly needing to download more data. But now that this data is all localised on the device at installation it not only means the app can work offline, but also makes it faster and more pleasant to use.

Other issues solved include location services – the app can work without those turned on, but now produces an elegant error message, and can then be used with map or tour, rather than be unusable. Likewise the erratic video playing bugs, and the strange white-out bug I reported have all been fixed.

Because I ran into so many user interface issues when I first tried the app my last review focused more on these. Now I can focus more on discussing the content, which I have always thought is superb.

The app revolves around three main interfaces: map, site list, and tour. The last of these just has a children’s tour at the moment (which, yes, works offline too now), but more tours are expected to be added in future.

The map includes marked sites of interest. Though I notice it has missed at least one major St Andrews museum: the St Andrews Preservation Trust Museum at the east end of North Street. Importantly the map now works nicely with location services turned off, and in offline mode. You can zoom in to select sites of interest, based on their location, and then tap to learn more about them.

Mediaeval St Andrews App map

But the core part of the app, for me anyway, is the sites section, providing access to the history of 22 locations in the town. As an example of the depth of information recorded, consider the tolbooth, the former town hall. The main entry for this in the app includes a snippet from the Geddy map as illustration, and then gives a potted history of the tolbooth.

Mediaeval St Andrews App tolbooth entry

This is then supplemented by a range of pictures, audio, video, and additional information.

Mediaeval St Andrews App tolbooth video

I still find the pictures main user interface unintuitive, not designed like the rest of the app. I’ve been told this is for implementation reasons, because of the plug-in software used to give this functionality. But I still think it’s a shame. A more familiar interface is available from the main site entry page, if you tap on the Geddy map, and then that pops up bigger, and you can swipe left and right through the site’s images, as below.

Mediaeval St Andrews App tolbooth picture

I particularly like the additional information available for a lot of the sites, giving historical snippets and curios, as this screen-shot from the tolbooth entry shows.

Mediaeval St Andrews App tolbooth additional information

There is an enormous amount of depth of information in the sites section of the app, that is probably best absorbed slowly over time. It would be useful reference material on foot, for example when in the town exploring the sites, but it is also good for home learning and research.

Having said that, if you go to the sites listing, select a site and read about it, it is rather unintuitive to be taken back afterwards to the map interface rather than the sites listing you just used – maybe something the designers might like to look at. Likewise the level of detail varies by site. But usually there is ample to be going on with, and is a good reflection of current knowledge about the town. As someone who has researched a tolbooth elsewhere in Scotland (Melrose) I wish we had as much information about it and a virtual reconstruction like St Andrews!

I am really pleased with this new version of the iOS app. Most of the implementation issues that I discussed before have been ironed out, and it is now generally a pleasure to use. And the change in design, though needing a big install at the start, means it can be used on more devices and in more ways, and is also quicker and more responsive in general use, without the same lag seen originally.

There are still some issues where the app is somewhat unintuitive in use. So I would rate it 7/10 at the moment for user interface and implementation. But that is an enormous improvement on things as they were. And together with my 9/10 rating for content means I give it overall a very strong rating of 8/10.

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First a disclaimer. I’ve something of a vested interest in this app, as a graduate of computer science at St Andrews, before I switched to history and picked up three more degrees. I really like the idea of St Andrews computer scientists and historians working together to provide this resource. And I like that it’s free.

My husband – also a computer science graduate from St Andrews – and I attended the app launch in November 2014, where we got to try out the app on Android tablets provided on the day. We’ve been keen to try it out properly ever since, so as soon as it was available for iOS I downloaded it to my iPad to try.

Unfortunately I have run into a lot of usability issues, which I’m going to detail below. But I want to stress that I think the content of the app is superb, the underlying historical resources which it aims to provide access to. For 22 sites in the town each one has a summary description, with a relevant portion of the Geddy map of the town from circa 1580, and typically additional resources like photos (modern, historical and virtual reconstruction), videos and audio files.

Viewing core details of site

I particularly like where modern and virtual overlap in the app, as in the screen shot below, from the entry for the church formerly above St Andrews harbour.

Reconstruction overlaid on modern photo

The app also has a modern digital map of the town, with its historic sites indicated, providing alternative access to sites of interest. And a section for guided tours, just one tour at the moment, but expect more to be added in future

But the implementation of the app and its user interface proved to be a stumbling block for me, and it’s only fair that I detail the issues, not least to help the app creators improve things. I was testing it on my iPad. However my husband and I also noticed many problems in our brief try out on an Android tablet at the app launch. Particularly how slow the app is to use, probably due to it constantly needing to download information to show the user, an inconsistent user interface design, and troublesome bugs cropping up. However what I’m writing below focuses on my experience with my iPad, an iPad Air 128GB 3G + WiFi model running iOS 8.1.2. I was using the Mediaeval St Andrews App version 1 for iOS.

The first major issue, and it’s a design issue, is that the app requires a permanent online connection. If it’s started with no network connection the screen goes blank and gets stuck in that state. Started with a network though, and all is well. As a long-time user of iOS apps I’m used to offline working, and apps installing everything they need. In practice it’s likely that the amount of data in this case is very substantial, so having an 8MB core app, as it is for iOS, and downloading everything else is appealing. But it won’t always work well. For example I could take the app on my iPod touch to St Andrews, but couldn’t use it as a reference tool without Internet – the iPod touch relies on WiFi, and is not a smartphone. Likewise my Dad has a WiFi only iPad mini, which he wants to use the app on. He can from home, but not elsewhere, including on visits to St Andrews. The constant need for downloading data also makes the app, as we noticed on Android on launch day, often seem sluggish to use, as the user waits for more data to download. And even with a smartphone I wonder how good constant downloading is in terms of data use, especially for larger resources like videos.

On the subject of videos, many of the sites in the app have these linked to them. But the videos would not play reliably for me on my iPad. At the first attempt, and even after rebooting my iPad, they would not play at all. They’d start to download, with a download spinning animation, but the videos wouldn’t play at all. Well apart from any linked sound, as in the Katie Stevenson narrated St Andrews Castle video. The sound started as soon as the spinning animation started, indicating downloading. But no pictures would appear. Fortunately a later attempt did get the videos to work, in a window in the centre of the screen, but I don’t know what was different this time, certainly nothing I was aware of having changed.

An irritating issue when viewing linked photos for sites is that the user interface changes when you view a photo. Normally there’s a back button you tap to go back to the previous screen. To get the same effect when viewing an image, and to close it to return to the previous screen, there’s no back button, but instead you have to look for and tap a small x cross at the bottom left of the screen to close things. I found this very unintuitive and have not got the hang of it.

I ran into other issues. For example the in-app map won’t appear at all if location services are turned off. I don’t normally give iPad apps location services access, and since I don’t have a smartphone I’m unlikely to be carrying this app around as I walk. But turning location services on, even for me located at a distance in Dundee, and suddenly the map worked. I also repeatedly ran into a nasty bug – which I cannot replicate reliably unfortunately to help get it fixed – where I’d be looking at a site’s core listing, complete with Geddy map portion, and suddenly the right half of the screen would go white, and then as I tried to navigate to other sections text would overlay my screen in a very unreadable manner. I also sometimes found the categorisation of linked photos confusing, particularly photos incorporating both virtual reconstructions and modern views, which weren’t categorised as virtual images. But that may be a personal thing for me.

This all sounds very negative, but I can’t stress enough that the underlying content is superb. I’d like to see these user interface issues ironed out, at least the easier ones. Change the photo back interface to use the standard everywhere else back button rather than that confusing cross, fix the app so it at least acts elegantly if started without network connection, and check the videos to see if there might be a bug in there re playing them. It’s probably also a good idea to get the map working with location services turned off. Likewise I’d recommend considering the feasibility of providing an offline version of the app, but don’t know how much data that would take up. Perhaps it might be possible to store the core content for example, such as the core site entry pages, which might speed things up in many places, not least loading up each site initially. But if the app must be used in always online mode, then that should be made clear in the App Store description for people to read before downloading and trying to use it.

At the moment I can’t rate the app higher than 4/10 for implementation and 9/10 for content, giving 6.5/10 if averaged. But I feel that it has much potential, if only some implementation issues could be ironed out in the next version.

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My former PhD supervisor has died. He was a renowned Scottish architectural historian, and professor at Dundee University with many relevant books and journal papers to his name. But I wanted to write about my own memories of him, which primarily concern the support he gave me over many years as a part-time postgraduate history student.

I’ve been thinking a lot about Charles over the last few weeks. I’d known he was seriously ill for many months. But after an article published in The Courier recently, recounting his young days, including Beano and Dandy reading, I hoped for a better outcome, not least because he was talking about his hopes for better health, and mentioning some of the places he would like to visit. It was not to be.

I first met Charles in 2001. I’d recently finished my Open University history and classical studies degree, and wanted to go on to do a postgraduate history Masters. I initially signed up for the OU’s Masters degree, but was frustrated that it had to be studied over three years: with my medical condition, and uncertain future, I wanted to finish sooner. But I couldn’t study full-time, which I knew ruled out St Andrews University’s history MLitts which didn’t (and possibly still don’t) offer part-time as an option. But then I learned of Dundee’s new taught postgraduate Masters in Cultural and Urban Histories 1650-1850, which sounded wonderful, and could be studied either full-time in one year or part-time over two years. I emailed Charles to make tentative enquiries, and he emailed me the course book back, and I was sure it was for me, so signed up.

Dundee’s history MPhil (they couldn’t call it an MA because it was a Scottish PG, and it would be a few years before it was renamed to MLitt) was taught weekly on Wednesday afternoons, with seminars on the second floor of the Tower Building at the University of Dundee. Charles led these, but there would often be other members of the history staff coming along to share with us their specialist knowledge. And we were encouraged to bring in primary source material, and discuss them. It was a wonderful time, and Charles was an inspiring teacher. I remember his unconcealed glee as he told us about the Beggar’s Benison club in Fife, and likewise how excited he got when talking about architectural history, such as the changes to the built environment in Enlightenment Scotland. Through him I gained a new appreciation for the importance of urban history: something I had vaguely dabbled with before, but had not studied properly until now. At the end of a year of lectures and essays the full-timers did their dissertations over a few months, while us part-timers had a year to complete. My dissertation was on Melrose regality court (local court) records in the late 17th century, and when the results came in I was the first Dundee history MPhil student to achieve a distinction in the Masters. Charles was delighted for me. I remember meeting him in the city centre by chance, and him saying that my MPhil dissertation was the best-written one he had ever read. I was ever so proud.

After that I started a part-time history PhD, studying reading habits in Scotland circa 1750-1820. Bob Harris was my supervisor, but a few years later he moved from Dundee to Oxford. Initially I carried on with him acting as my supervisor, long-distance, but there were some drawbacks to this, and at a Thesis Monitoring Committee meeting – the system at Dundee to keep a check on how research postgraduates are getting on, and deal with any problems – Charles volunteered to take over as my supervisor. I was delighted, and accepted his offer gratefully. Although it was not his specialist area he was well able to supervise the topic, based on his knowledge of eighteenth and early nineteenth century Scottish society and culture.

Initially it was a slightly difficult supervisor-supervisee relationship. Charles’s brain thought about historical problems in a different way from mine, indeed I had more in common thinking-wise with Bob. And Charles was also keen, at least initially, for me to do a lot of new research, for example looking at an extensive collection of pamphlets and chapbooks. But I was far through my part-time PhD, and didn’t have time for this, especially alongside my disabling neurological disease. However, together with advice from my former supervisor, Charles and I found a really good working way forward, that was productive, and still inspiring. Discussions at supervisor meetings would still leap about unpredictably, as Charles’s quick-thinking brain would latch onto new, unexpected ideas. But we were making forward progress, and both knew what we needed to do – and in particular what I needed to do – to get me to the end. He was my supervisor for the last three years of my part-time PhD, essentially the writing up period, which also saw me finish off necessary research using primary sources. And he was wonderful at helping me through the difficult writing stage, always giving constructive feedback on chapter drafts, and keeping me going.

I will always remember the coffee that Charles served in his office: usually flavoured, often slightly peculiar, but still nice. And he always had a wonderful collection of biscuits on offer: always unhealthy but ever so tasty! He was also always lending me books. His office was a tower of piles of books – I was never quite sure how he found anything – and he often had something new (or old, sometimes very) to show me, and often lend me. Best of all I always felt inspired and motivated by the supervisor meetings, ready for the next challenge ahead.

Most helpful were his penetrating questions about my research. He was never backward in asking “So what?!” about what I’d done, forcing me to put the research into the broader context and explain why it was important. And he made a big contribution to the analytical side of my PhD thesis by suggesting a higher-level subject categorisation method that I could use throughout my thesis to produce some numbers for relative weights of entertainment, improvement and religious reading, and thus permit meaningful comparisons between different pieces of evidence for reading habits and reading choices.

After my successful viva I had a meeting with Charles where we discussed my plans for the future, and in particular ideas for publication. He was keen for me to aim for extremely ambitious journals: some of which have paid off since, others not so successfully. But all of his suggestions were good, and worth trying. And we kept in contact ever since. The last time I saw him for an extended length of time I was in the university on an off-chance, and after visiting the library I ended up in College Hall, then thought I’d phone his office just in case he was around and free, so I could come and have a chat. And he was welcoming as usual, said come on over, and served me biscuits and coffee, and we nattered for an hour.

It’s impossible not to be sad about his passing, but I’ve been trying really hard over the last few weeks to remember good times with him. For example during our MPhil course he took the students on a walking tour around historic Dundee, at least the city centre parts. I had to use a wheelchair for the walk, with my husband Martin pushing, and we went up the most amazingly tiny wynds. Enormous fun, and we all learned so much. There’s now a Dundee Heritage Walk website based on the tours he did.

I’m also inspired again to pursue some of the interests he fostered in me. For example I’ll continue to photograph interesting examples of old architecture around Dundee and further afield: I’d never noticed them properly until he taught us so much architectural history. And I want to do more urban history research, following both the Masters he taught, and the year’s Research Asssistant work I did with Bob Harris on his pilot small Scottish towns study. And even simpler things, like eating houmous and pitta bread. I’d never tried houmous until Charles suggested I might like it, and I did. Even that brings back pleasant memories.

I am so sad that he has died, and my thoughts are with his family at the moment, and their great loss. But I am honoured to have known him, and am grateful for the difference he made to my life. A kind, wonderful human being.

For more information about Charles, including his research interests, see (at least for now) the history department web page about him.

There is an upcoming conference to celebrate Charles’s contribution to Renaissance architecture research: A New Platform for Scottish Renaissance Studies. This is to be held at Perth at the end of October. Originally, of course, Charles intended to be there. Now that can no longer happen, but we go ahead in his honour, celebrating what he did.

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My husband and I recently returned from a trip north to Inverness. I was attending an academic conference, and giving a talk there, and we used the opportunity to have a break in the Highlands and a small holiday. On our way back to Dundee we called into Culloden, and then drove down the west side of Loch Ness for the scenic route.

Culloden battlefield lies to the east of the city. It’s near a small village of the same name, so there are a lot of modern houses around. But the battlefield itself is undeveloped, and stands as a permanent memorial to the lost in 1746. In 2008 a new visitor centre was opened at the site. It’s not the prettiest building by any imagination, but it’s very functional, and I was impressed at how it houses the exhibitions and information for visitors.

Once inside there’s a shop to the left, and a cafe with free Wifi, and then you are at the tickets desk and on your way in to the exhibition. There are scooters and wheelchairs available for people to use who need them, especially when going out onto the battlefield, but they could also be useful for people with mobility problems when going through the long winding exhibition.

The exhibition is based around a series of linked corridors, with display cases and exhibits in the centre and on the walls, and the two side walls telling respectively the stories of the Government forces and the Jacobites. This covers the background to the battle, the run up to it, with the Jacobites marching south into England, and then the time before Culloden itself, the battle and the aftermath.

It’s a very difficult story to tell. It’s complex, there’s a lot to take in, but I was impressed with the information boards and displays, and felt that they communicated things pretty well. I also liked the exhibits. As well as lots of maps and for example Stuart family trees there were clothes from the time, of course weapons, medallions, Jacobite emblems, books, basically lots of interesting personal items that made you feel close to the time.

It took us quite a while to work our way through this section of the visitor centre, taking in the information. Both my husband (English) and I (Scottish Borderer with Jacobite ancestry) drifted inevitably towards the Jacobite side each time. My main emotion was anger, growing all the time, at the inept decision making of Bonnie Prince Charlie which led to the huge sacrifice. We both learned masses. I also wondered if my Border Jacobite ancestor James Veitch was at the battle. He was apparently a life guard for the Prince, so may have been there.

After working through the visitor centre we reached the back door, where you can walk out onto the battlefield. There are regular guided walking tours around the battlefield, and one was about to start as we got there. I passed on this – due to my MS-like illness it was never going to be that feasible a thing for me to do, even if I’d used a scooter. Instead we went outside ourselves, and made our way up to the custom-built viewing area on the visitor centre roof, that gives you a 360 degree view of the battlefield. On the downside there were no seats there – I suggested afterwards to the visitor centre that they might like to add some. But we spent some time there, taking in the landscape. I also bought a guide book to study at home.

I’m very glad I went there. It’s horrific, and highly moving, but an important site. And I think the new visitor centre does an excellent job of communicating the history to visitors.

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I recently gave a talk to a conference for archivists on my perceptions as a disabled user of archives. I have a progressive neurological disease, and sometimes use a wheelchair. More significantly I am very knocked out for a lot of the time, due to brain damage, unable any more to spend long periods working in an archival environment. This is despite me having used archives extensively since the mid 1980s, including a very intensive period a decade ago, when I worked half-time as a Research Assistant for a university project, and my job was just to go to archives and spend long periods there. My disease hadn’t progressed so far at that stage. Things have changed a lot for me since.

Many archives are in cramped locations. I was asked recently to give feedback on a consultation on a particular archive, and one of the points I made was that I hope it might at some point be relocated to a more accessible location. At the moment I struggle to get around there even when just using my stick. When using my wheelchair, which I need to do if I’m going to be there for any quasi-extended period, it’s very hard for me to get in there, and almost impossible to move around the small search room. And as I said at the conference this isn’t just an issue for wheelchair users. Many people have mobility issues, especially older people, and making an archive more accessible can benefit a large number of users, and not always just those you might expect.

Fortunately the archive’s staff are very helpful, and will help me as much as they can. But there are limits to what they can do. This is why I’m such a fan of digitisation on demand. This is very different from an archive initiating digitisation of a major record resource that they decide upon. Rather it’s where a specific user needs to access something – which may be many pages long – and it is digitally photographed or otherwise digitised, so they can work on it at home. I was very lucky during my part-time PhD that various archivists agreed to this. For example my husband photographed nearly 1000 pages of library borrowing records in the Scottish Borders archive at Hawick. And the archivist waived the copying fees (which often have to be paid, even when a visitor does the digitisation themselves) because the copies were needed for disability reasons. And likewise I borrowed many thousands of digital images of testaments and inventories from the National Archives of Scotland, and was able to work through them, looking for evidence of book ownership.

The other key thing for accessibility in my circumstances is good cataloguing of archival material. This is very variable across Scottish archives: some have virtually no catalogues available online, others poor ones, all the way through to better archives with more detailed catalogues. By putting catalogues online, and making them detailed enough, potential visitors or users of the archive can do extensive research from home. If they can then visit the archive themselves then they can make the most of their time there. If, like me, they have to ask for remote copies they are likewise in a good position to do that. Lots of other speakers at the conference also spoke of the importance of cataloguing. I think it’s under-recognised by archive managers, or at least some seem to view themselves as the gatekeepers of archives, and requests for information must be filtered through them. But good catalogues empower users, and give them the opportunity to do essential groundwork themselves. And I think they should be improved where possible.

I closed my talk to the archivists with a list of recommendations for archivists to improve accessibility. I will repeat these here, for the benefit of any reading:

  • Would ask archivists to consider how accessible their search rooms are, including the layout within the room itself. This is potentially of great benefit to physically disabled archive users, but a more accessible layout can benefit users in general as well, for example tables and chairs that are easier to move around, paper catalogues easier to access etc.
  • As a counterpoint to that ask you to be more aware of the potential need for people to research at a distance, and do not always assume lengthy on-the-spot research is practical or the default approach, and consider enabling other modes of provision for users
  • To that end make sure that online catalogues are as detailed as they can be, and improve them where necessary
  • As well as archivist initiated digitisation projects archivists should consider supporting digitisation on demand, including permitting digital photography of records, whether a per page copying fee is charged for such photography, or waived for disability users

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Early this morning I sent off the revised version of an accepted journal paper to the editor. So that’s taken care of. Good. But I thought for my own benefit I’d make a note here of other things I’m working on, as an aide-memoire.

I’ve agreed to write a book review for a Scottish history academic journal. I was approached for this, because of the specific book, and my research interests. So that’s next on the list. I have the book in the house – my own copy actually – and just need to read it, and pull together some thoughts. That shouldn’t take too long, fingers crossed, and should be fun. The review is needed by the end of this year, but I should easily finish it many months ahead of then.

In September I’m hoping to go to a Guild of One-Name Studies regional meeting at Perth, and have offered to give a short talk about my Cavers one-name study. I’ve jotted down some ideas in a mind map already, but need to finish writing it, including the PowerPoint presentation I’ll use.

I’ve a series of articles ongoing that are a cross between historical pieces and roleplaying game ideas, and need to resume writing these. They were put on hold, as I battled the illness and completing other things. I’ve done seven articles so far, and am part-way through one on Montrose, with more planned. I’m hoping to publish them as a PDF booklet, once completed.

My interactive fiction game work in progress needs to be picked up again. I’d completed the prologue, and was at a point where I was going to start coding up the main middle section. I should be able to make good progress with this. I find writing the dialogue and interaction quite hard, but the coding side, in Inform 7 – a natural language programming language – is much easier for me. It’s funny, I can’t do much computer programming now, since the brain damage got really bad. But I get on well with Inform 7 – yay!

I have two other academic articles currently with journal editors and reviewers. One was derived from part of my PhD, the other from my MPhil. And I could hear back about those at any time. With luck I’d be offered some sort of revision, even a revise and resubmit would be good. But even if these editors reject the pieces outright I’d want to revise them myself before submitting them to a different journal. So I need to allow a little bit of space to be able to work on that.

I need to put together a proposal for the Community Libraries: Connecting Readers in the Atlantic World, 1650-1850 project. I can’t attend the colloquium in Chicago, about digital approaches to library history. But I hope to be able to attend the London colloquium in 2015, which is looking at libraries in the community. I could put together a good discussion piece for that, based on what I did for the library in Haddington, researching the readers using a huge range of genealogical and historical records, to be able to contextualise their borrowings properly. I’m also planning similar research in future for the Balquhidder Parish Library in Perthshire, and to that end am currently in the middle of a small-scale pilot study of another set of library borrowings. But I need to put something together for the London meeting, and submit it before the September 2013 deadline for abstracts.

I recently blogged about the 17th century poem I’m transcribing. I’d like to publish the transcript in an academic journal, with a suitable introduction and text contextualising it. So that’s another paper idea I’m working on. But I need to finish transcribing the poem first. For the record it’s massive. Three pages of two columns of tight text. Many many lines of poem.

I have another couple of paper ideas in progress, but they are at early stages, and unlikely to reach editors anytime soon.

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I do a lot of my research planning and writing on my iPad. For example I’ll always have a to-do list on the go there, of things I want to work on, of all sorts, ranging across academic history, through genealogy, miscellaneous writing, and computer game design.

To do list on iPad

And whenever I start a new research project I will brainstorm it, again in iThoughtsHD on my iPad.

But I was struck today by some of the advantages of an old fashioned pen and paper approach, even in a digital age.

I carry a red notepad with me all the time. It’s like a Moleskine, but a fraction of the price, lovely texture, and nice to write in.

Notepad with pen

It’s compact, and easily fits in my bag that I take out with me. So it’s always there, which is more than can be said for my iPad 2, which is too big for me to carry around all the time, though it’s great for working on at home. So when today I had a few minutes in the supermarket cafe, with a cappuccino beside me, I took out my notepad and had a look.

The first thing I spotted was a set of notes I’d made on a similar occasion, but hadn’t transferred to my iPad, and had totally forgotten about! These are notes of genealogy things I want to work on soon, such as transcribing a court case for my Cavers one-name study, and digitising the many paper receipts I have from around the wedding time of my great-grandparents at Melrose in 1905. I must get on with these!

Genealogy notes in notepad

After that initial shock, the next step was to use the notepad to develop new material. I’m writing a series of articles at the moment that are a sort of crossover between historical pieces and roleplaying game ideas, and once I’ve finished my current one about Montrose I’ll want to move on to the next couple of places. One of the upcoming articles will be about Inchtuthil in Perthshire, a Roman fort. So I took the chance this afternoon to brainstorm some ideas for this. I will move this planning at some point to my iPad though, into iThoughtsHD, and then write up the piece in WriteRoom.

Inchtuthil notes in notepad

I really like working with a pen and paper notepad like this, but I must make more of an effort to transfer the notes to my iPad, to work on them in future, and not completely forget them. Of course this brings to mind the integrated Evernote/Moleskine notepads. But I don’t think I want one of those, even though I use Evernote a lot. I think I just need to be a bit more organised about opening up my notepad when I get home and have my iPad to hand, and transferring the ideas from one to the other.

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