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My husband and I visit the Edinburgh Book Festival every other year or so, and were back again last week. We’d booked to go and see a talk by Brian May and photographic historian Roger Taylor. But I was also keen to see the bookshops again, which I always find excellent.

This is the first year that I’ve found the crowds a particular problem. I have to use my wheelchair when I’m there, with my husband pushing, and this year getting past other visitors, who’d often stop to chat in the walkways, was a significant problem. I don’t know if there were higher numbers of people attending this year, or what, but it seemed more of an issue than usual. Note we were there on Wednesday 15th August, in the late afternoon and early evening.

I was also struck by how difficult it can be to get the wheelchair into the tents, bookshops, talk venues etc. There’s always quite a slope to go up, and a ridge to get past or bump over. I could never wheel myself in. Even my husband, who’s been pushing my wheelchair for years, struggled, again not helped by people milling around.

On the plus the bookshops were a delight. I always find things there that are real gems for me, that I wouldn’t know of otherwise. My particular highlights this year included a book of 100 Gaelic WW1 poems, most of them written during or shortly after the war, with dual language Gaelic and English translations facing each other in the book. My other main highlight was finding a book of essays by Philip Pullman about storytelling in its many forms. I was reluctant to buy such a chunky book – I have too many books already, and wondered where I’d shelve it! But it drew me back, and I was very pleased to take it away and delighted when I started reading it. Something else I’d have bought before had I known it existed.

Books bought include Philip Pullman essays, George Washington Wilson stereoscopic history, Gaelic WW1 poems and compact dictionary, and a free signed bookplate to go in the Wilson book

Book haul from Edinburgh Book Festival

The talk by Brian May and Roger Taylor was fantastic. They were speaking about Scottish Victorian stereoscopic photographer George Washington Wilson, and launching Roger’s book about him. The audience were all given 3D glasses to wear, which worked from a vast range of seating positions, and enabled us to enjoy the original stereoscopic photos. Quite magical, and enormous fun. Sadly Brian and Roger couldn’t do a signing afterwards, having to dash off to a BBC interview, but we were all offered signed bookplates to go in the book.

Audience of scary looking people all wearing 3D glasses and looking intently at the stage

Audience at Brian May and Roger Taylor talk (photo by Nicole Ettinger and from Brian May on Instagram)

So a fun trip, but some disability niggles. We’ll be back in future, but definitely with my wheelchair, albeit anticipating problems.

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As we near the end of 2017 I thought I’d reflect on the books I’ve been reading over the last year. Note this is the books I’ve been reading for fun, usually on my Kindle. I have a to-read pile for academic books of quite scary proportions – well several piles! Academic books are trickier for me to read, due to my brain damage, because I usually can’t adjust the font etc. I also tend not to get on well with PDF-based ebooks. But I read ebooks avidly for fun, and got through a fair number this year. 89 finished so far, and there may be more yet.

My list of books completed in 2017 is online at Goodreads. I set myself, just for fun, the goal of completing 50 books this year, and have surpassed it. Particularly good again given my MS-like illness, which wipes me out for much of the time, and makes reading extremely difficult.

Looking through the list of books completed in 2017 a number of trends jump out. For example I really like fantasy and horror books. I’m not a big scifi fan, preferring fantasy, sword and sorcery, magic etc. So, for example, I’ve been continuing my read through (and reread in many cases) of all the 41 Terry Pratchett Discworld novels. I completed six more Discworld books this year, numbers 32-37 in the sequence, interspersing them with other reading material. I started reading book #38 last night.

Another series that I’ve been reading throughout the year, and will carry on doing so into 2018, is Neil Gaiman’s Sandman series of comics / graphic novels. I’ve read these before, and love them, and am rereading them on my iPad in Comixology’s guided panel view. There are 10 collected graphic novel volumes in the main Sandman series, and I read numbers 1-6 this year, and am part way through number 7. Again enjoying immensely.

Other comics that I read this year included those shortlisted for the Hugo scifi awards. As a member of the 2017 Worldcon (actually attending it, in Helsinki) I got a voter’s packet of many of the Hugo shortlisted works. And that included the comics up for the award. So I read loads of these. Many of the works, such as Saga, were parts of ongoing series, but I enjoyed them nevertheless, and have thus found more comics that I want to read in future. I also read most of the Hugo-shortlisted novelettes and novellas.

The Worldcon in Helsinki was held in August 2017, and not long after that I read several horror books in the run-up to Halloween. The first was Graeme Macrae Burnet’s Booker-shortlisted His Bloody Project, more crime than horror, but could easily fit into the latter genre too. I followed this with an annual favourite reread: Roger Zelazny’s A Night in the Lonesome October. I recommend this book to any fans of horror, weird fiction etc. Especially in the days before Halloween. It is rather designed to be read daily throughout October, though I always gobble it up more quickly. Other horror works read in October include Robin Jarvis’s The Whitby Witches, and Ray Bradbury’s The Halloween Tree. October was definitely a good month of reading for me.

Although as noted above I’m not a big fan of scifi I did read several Doctor Who books throughout the year. For me Doctor Who is less a scifi series than a storytelling engine with time travelling aspects. I also read famed scifi writer Michael Moorcock’s The Jewel in the Skull, though this is very much a fantasy novel of his, rather than the scifi that some may associate him more with.

Something new for me this year was reading a number of play scripts. I haven’t done this since I was at school, wading through Shakespeare etc. Thanks to attending a nationwide cinema screening of a live performance of Rosencrantz and Guildenstern are Dead I read the script of this play afterwards. To my surprise, finding play scripts vastly easier to read than most print books – lots of space on the page, not too much crammed text to wade through – this was followed by Liz Lochhead’s Mary Queen of Scots got her head chopped off, which I saw on stage in St Andrews in the 1990s, and Rona Munro’s trilogy The James Plays about Scottish Stewart kings James I, II and III. I have my eye on David Greig’s Dunsinane play next – definitely getting a theme here for historical Scottish ones!

Quite a few of the books I read this year were bought for me as birthday or Christmas presents, usually in ebook form for my Kindle, where I read with a gigantic font and huge line spacing – more in appearance like a Ladybird book for a 5 year old child. Such present titles read included The Moon Stallion, which I saw on the television long, long ago, and Frost Hollow Hall, another Young Adult book with a historical bent and several supernatural elements to it.

I’d like to mention the books that were my favourites this year, all of which I rated as 5-star in Goodreads. In reading order they are as follows:

  • A Hat Full of Sky by Terry Pratchett
  • The Crystal Cave by Mary Stewart, the first in her Merlin trilogy
  • The Weirdstone of Brisingamen by Alan Garner
  • The Swish of the Curtain by Pamela Brown
  • Dandelion Wine by Ray Bradbury, a love-letter to small town America and childhood in the 1920s
  • Mary Queen of Scots got her head chopped off by Liz Lochhead
  • Ms Marvel vol 5 “Super Famous” graphic novel
  • Saga vol 6 graphic novel
  • Comet in Moominland by Tove Jansson – read in the run-up to our trip to Finland
  • Peril at End House by Agatha Christie – one of my favourite Hercule Poirot stories
  • Rotherweird by Andrew Caldecott
  • Tommy v Cancer: One man’s battle against the Big C by Tommy Donbavand
  • The Moon Stallion by Brian Hayles
  • The James Plays by Rona Munro
  • The Fellowship of the Ring (Lord of the Rings part 1) by JRR Tolkien
  • A Night in the Lonesome October by Roger Zelazny
  • The Lie Tree by Frances Hardinge
  • Doctor Who Yearbook 1993
  • The Express Diaries by Nick Marsh
  • Frost Hollow Hall by Emma Carroll

To be fair many of these top-rated titles were rereads for me, including my absolute favourite Lord of the Rings. But I also found some new favourites to reread in the future, including the already-mentioned The Moon Stallion and Frost Hollow Hall, and Ray Bradbury’s Dandelion Wine.

So that’s my look back at a year of reading. It’s been fun! I look forward to reading more in 2018.

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Followers of this blog may know that I completed a history PhD. But perhaps many won’t know that I did this while battling a severely disabling neurological illness. And even less known is how badly this affects my reading. Ironic since I was researching historic reading habits for my PhD.

Reading has been a problem for me since the late 1990s. I struggle with ordinary print, finding it swims constantly, and I can’t read it for long at all. Even managing to read a single page can be too much. So there’s no way I can read for a long time, or any extended book like a novel. The only print I can read now is either diving in to specific sections (very short sections!) of an academic book, or reading graphic novels (comics),

When I was retraining as a historian my postgraduate Masters degree had hefty reading lists for each week’s lecture and round-table discussion. Obviously I couldn’t read all those. So I’d try to see which books were most relevant, and narrow down what was needed. Really brutally, to specific sections, or abstracting drastically. Most of the reading list wasn’t discussed each week anyway, so I coped. And my lecturers, including my PhD supervisors, little knew how badly my reading was affected. Even now I battle to read academic books, and rarely can. Academic journal papers also pose a significant challenge. Note many of these humanities academic books are not available in e-format, especially older ones.

But though I could work around things to a large extent in my academic life I couldn’t avoid the problems the reading difficulties caused for my recreational reading. For much of the late 1990s and 2000s I stopped reading for fun completely. It was devastating, for an eager reader like me. I tried audiobooks, for a while having a very bulky tape player on loan from a national listening library, and receiving bulky tapes in the post. But this didn’t work well, because of my memory problems, which meant that I constantly need to go back to reread sections, to remember plot and/or characters. Easy in print, or ebook; much more impractical in an audiobook, especially a manual tape player.

What turned things around for me was ebooks, firstly on my iPod touch, and then in Kindle format. I adjust the font and spacing to be huge – more like a Ladybird book size, for little children. And then I find I can read, and read, and read. Still in fairly short bursts, and I still contend with major memory problems affecting my reading. But I was reading again, for fun. Woot!

That was several years ago, and my reading enjoyment continues. As an ebook reader for a long time my local library didn’t provide any ebooks, and I couldn’t read their print format books, even large print. More recently they added ebooks, but an extremely limited selection, with little that I wanted to read. Vastly less than the range of books provided in print format to the library’s users.

So I usually have to buy ebooks. Often I’ll pick up bargains, e.g. in Amazon’s special Kindle sales for 99p. Or relatives will buy me ebooks for my birthday or Christmas. Often I pay full price for an ebook, for something I really want. But it is quite an expensive habit, since I can’t borrow free books from the library.

On the plus side many out of copyright ebooks are freely available through Project Gutenberg, and can be downloaded to load onto e-reading devices like Kindles, iPads etc. I’m currently working my way through Charles Dickens, and have also read and reread all the Sherlock Holmes books. But I’m more likely to read new books, even if I must be careful how I buy them.

But I am reading! So it is more than worth it. Each year I set myself a reading challenge in Goodreads, where I record the books I’m reading. Given there can be extended periods (weeks or even months) where I’m too ill to read at all I’m modest in my challenges. But this year, based on past successes, I set myself the goal of finishing 50 books in 2017. So far the running total is 67. For example this October has been full of spooky reads. I’ve just started Ray Bradbury’s The Halloween Tree, which I’ve never read.

I know many people are anti ebooks. That’s their choice. But my story isn’t unique. I’ve heard of other people with similar medical conditions – e.g. multiple sclerosis, ME or stroke survivors – who also struggle with print, but with ebooks can adjust the font and spacing so they can read. I think this aspect of ebooks and reading is little understood and little recognised, but for me it’s been life-changing, and remarkably positive.

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When I did my history PhD at Dundee University (“Reading habits in Scotland circa 1750-1820”) I was plugging a big gap in the research. All PhD research should make a contribution, but it’s rare for a subject to be quite so little studied before as this one. Scottish reading habits and book history more generally had been little researched since Paul Kaufman in the 1960s. Some PhDs had been completed, but usually by librarians, without their own graduate students to inspire. And so, although Scotland has a mass of useful sources (library borrowing records, evidence of book ownership etc.), its reading and book history was largely little researched when I started my PhD in 2003.

Of course the downside of having a big gap is that there’s always a chance someone else will come along and fill it. During my PhD there was a panic moment, when I learned of another PhD student, Mark Towsey at neighbouring St Andrews, looking at many of the same sources, with a very similar PhD topic. We met up, and established our respective approaches. We still had overlaps, but not enough to jeopardise getting our PhDs. And we both completed successfully.

That was some years ago, but more recently reading history has become more popular among Scottish researchers, almost fashionable to an extent. And in the last few years I’ve watched with interest new PhD students starting to work on Scottish reading habits, for example Maxine Branagh-Miscampbell looking at childhood reading in 18th century Scotland, and Jill Dye studying Innerpeffray Library and its borrowers. It’s a slightly strange feeling seeing the field come alive like this, but in a rather wonderful way. And it’s always exciting to see new researchers approach things differently, in terms of their theoretical framework and methodologies, and in terms of the core research questions that they explore.

I’m very much looking forward to seeing the results of these and other upcoming Scottish PhD projects in the next few years. It’s exciting to see these developments, if still rather strange at the same time!

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Two weeks ago I was in Paris, partly for holiday, partly to attend the annual SHARP book history conference. SHARP is the Society for the History of Authorship, Reading and Publishing. Its conferences are held each year, usually alternating between North America and Europe. I’ve been to SHARP conferences four times now, since 2005, and always find it a rewarding experience. I’ve written up my 2016 experiences below, mainly to have a record for myself for the future. In a nutshell I had a great time, and was inspired as usual, but had some wheelchair accessibility issues, and other concerns about the conference venue. If you want to read on feel free, but note it is long!

This year’s conference, per the usual format, was held over three main days, with over 100 panels of usually three talks, up to eleven panels simultaneously at any given time. In addition there was a day of postgraduate talks and activities. The conference was held at the Bibliotheque nationale de France and the university site BULAC. This conference would turn out to have the biggest attendance yet of any SHARP conference so far. In addition the conference was bilingual, including live translation in place for the audience at key talks.

I could only go to the conference on one day. I have a neurological illness, similar in day to day symptoms to multiple sclerosis, and am limited in how long I can attend any academic event. I am also very weak after any event, and need to rest, preventing any chance of attending on successive days. I usually bring my wheelchair if possible, to help me last longer. Sadly wheelchair accessibility at sites varies, but usually we manage pretty well. As usual, I contacted the conference organisers before registering. This was partly to check wheelchair accessibility, but also to ask if my husband could be admitted free as my helper. I can’t wheel myself around, and having him there to help me through doors etc. and manage meals etc. is enormously helpful. Usually conference organisers are happy to do this, and that would be the case this time too. We intended to attend the Paris conference on the Wednesday, including the digital showcase, but had to wait for the final programme, released just before the event, to be sure. A drawback for me was the conference being split across two sites, with a long walk/push between them – fine for fit and healthy people, not so great for me in a wheelchair. So we were keen to stick to the one venue. Fortunately I found enough talks I wanted to go to on one day at the main BnF site. Ideally we would have been there for the opening panel at 9am, indeed earlier to allow time to register. But with the logistics of getting a wheelchair across Paris by taxi we aimed instead to get there for 9.45, when we would meet a BnF staff member to guide us in with wheelchair, negotiating the lift etc.

The conference started on the Monday, with postgraduate sessions, before starting properly on the Tuesday. I followed the tweets from conference attendees over the opening days – many more tweets than I’d ever seen for any previous SHARP conference. From the tweets it was clear that many people were struggling with heat, in unusually warm weather for Paris (up to 36C). This made me extra relieved that I was only aiming to attend on the one day, in a modest way.

Wednesday arrived. It was another extremely hot day, but luckily we had a scary but trouble free taxi ride across the city to the BnF. We met BnF staff member Isabelle who took us into the building, including via the lift. I was quite surprised at how much security there was in the BnF building, but in the circumstances it’s sensible. We registered us both with no problems – because my husband was recorded as a full attendee (albeit paying no conference attendance fee) this meant he got an identity badge too, which was good to have. At registration we ran into a St Andrews book historian we know, which was nice, then wheeled through to the auditorium foyer where the publishers stands were, and also the venue for many coffee breaks. Here we had our first hiccup with the building: an awful lot of doors to go through, which had to be opened wide. Again I was grateful my husband was with me, not coping on my own, though other conference goers rushed forward to help too, which was extremely kind of them.

We found the Brill publishers stand and managed to buy the book I wanted – a recently published St Andrews book conference proceedings, bought at SHARP at quite a discount. It was nice to see another familiar face with the Brill rep there, who we’ve seen before multiple times at SHARP and St Andrews. Then time for a quick drink, before heading off for my first panel at 11am.

Here we ran into more problems. The BnF is a very long building, and it was a very long walk to the salle Jules Verne where our panel was. I couldn’t have walked that distance, even when I’m on my feet and coping well. So thank goodness for the wheelchair. Though it was not always easy to wheel on heavily carpeted floors. Of course heavily carpeted floors are good for sound proofing, in a library environment. There were lots of “Silence!” signs around as we travelled along, past many quiet reading rooms.

The Jules Verne room itself was problematic. I had to get out of my wheelchair to get through the door. Even more troublesome was noise coming in from people speaking outside in nearby corridors, seemingly on three sides of the room. This was very distracting for audience members, and very distracting for the speakers, who often tried to raise their voices to be heard over audible conversations we could hear and follow from outside. This was not a great setting for an academic talk. Also seating in the room was poor for the audience trying to see the slides at the front. Much of the audience couldn’t see the PowerPoint pictures being shown by the speakers, with fellow audience heads in the way. Again not a great arrangement of room for what was needed.

Having said that, the talks were fascinating. This panel was about 18th century libraries, so bang on topic for me who completed a PhD on Scottish reading habits in the late 18th and early 19th centuries. I particularly enjoyed Jason McElligott’s talk about book thefts in 18th century Dublin. Partly this was for a personal reason: I have Dublin ancestry, and my ancestors would have lived in the city then. I doubt they ever set foot in Marsh’s Library, though I wouldn’t put it past them handling stolen books! But I also enjoyed it because it gave a different perspective on reading and book collecting tastes at the time. I actually commented on this in the Q&A section after the talks, suggesting to Jason that he could use the detailed lists of books stolen to reassess Irish reading tastes at the time. It’s quite likely that it would give a different picture from conventionally studied records like library catalogues and bookseller adverts.

After this it was lunchtime. So first was a long wheel back to the grand auditorium foyer where lunch was served. Here was a particular delight: individual take away cardboard lunch boxes, with handles, full of sandwiches, salad or pasta, fruit and a drink. It was a great way of giving out the food tidily, but also meant attendees could carry their lunches easily to wherever they wanted to eat in the building.

The Digital Showcase of book history computing projects is usually held on the middle day of the conference, and I was keen to get it. One project on display I was interested in had no-one there to talk to about it, and the information board was all in French, which stumped us somewhat, though we tried our best to read it, my husband even resorting to a simultaneous translation app on his iPad, photographing sections of the information board, and then letting the app try to spot the words and instantly translate. Quite magic, but a bit limited. However I was relieved to get to talk to Jan from St Andrews – another familiar face – about Book History Online. I’d recently noticed some gaps in its coverage, and wanted to know more about how the resource – an online bibliography of book and library history – is compiled. I came away much wiser. I’m sure it will be a useful resource for me to use in future. Fortunately although it is subscription only I can access it through my honorary research fellowship at Dundee University.

After this we made our way to the next room. And here problems were manifold. The next panel we were going to, about shipboard publications, was in the room designed PLK1, in one of the outside towers, outside the main BnF building. Fortunately we had studied the maps to know how to get there. But even once there we couldn’t get in the door. And the building’s security guards didn’t have a clue what was going on, or why we were wanting to get in that door. Eventually they phoned someone inside the building to come and open it from inside, but it was chaotic. And once inside we had to get to the first floor, with no lift. And my wheelchair. I had told the conference organisers in advance which specific panels I wanted to go to, but I believe there was a breakdown of communication at their end, and they didn’t move this panel to a more accessible room. Fortunately I’m not wheelchair bound, though very weak at attending a long day of academic conference. Most helpfully my husband was willing to carry the wheelchair up and down stairs, while I struggled with my sticks. So I was able to get to the panel I dearly wanted to attend. But this should never have happened. Once inside the room we were joined shortly by two of the speakers, who weren’t sure if they were in the right place, and wondered if anyone else would find the room! Fortunately more people did, and there was a good audience by the time the panel started. Though there was no trustworthy looking wifi in this venue for audience members to use, including no access to the main BnF wifi network. I ended up connecting to something that looked somewhat dodgy, but would hopefully let me live tweet. That wasn’t a great situation to be in.

Thankfully the panel was really interesting, and worth the struggle up the stairs with a wheelchair! The three speakers all spoke about different aspects of shipboard writing. I was particularly agog at the story of the New Zealand troop ship magazines being saved thanks to a Dunedin librarian with much foresight requesting in the 1920s that the magazines be sent into the library, for posterity’s sake. I also found the stories of emigrant ship magazines moving, giving a sense of community to people setting out on new lives. For example it was touching that these magazines, compiled by the emigrants themselves, referred to the ships as ‘home’. All the talks were well presented, and on time, and followed up with a lovely Q&A, with good cross-panel discussion from the panellists, as well as participation from the audience.

I had originally intended to attend a third panel of the day, on archives and book history. But what with the extremely warm temperature combined with our struggle up and down two flights of stairs I decided to leave early. So we called a taxi, and were picked up at about 4pm outside the BnF.

All in all I had a rewarding day. I’m not totally sure about the suitability of the BnF as a conference venue. Not just for my problems with wheelchair accessibility, but also due to relatively poor signage, widely spread out lecture rooms, and quite a lot of noise coming through into at least one of them. That room also had problems for people trying to view PowerPoint slides on screen. And we had wifi problems in the other room too. But we were made very welcome, and the lunch was superb. And, as usual, I found attending even the one day of SHARP incredibly stimulating intellectually. Even from just the two panels attended I have lots of fresh ideas to apply to my own research and writings, and feel inspired.

I’m not sure when I will be back at SHARP’s annual conference again. Probably when it is back in Europe. Health permitting. But I look forward to it. Meanwhile I have great memories of my time in Paris, including a day at SHARP 2016.

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Every few years I head to the Edinburgh Book Festival for a fun flying visit. Last time in 2013 was to see Neil Gaiman talk, and also the Iain Banks memorial event. This time I was there to see Ian Rankin talk about the return of Rebus, with a new novel, and a recent short story collection. Because of my MS-like illness, which means I need to use my wheelchair while in Edinburgh, it is easiest to drive down from Dundee. And because I need to rest after and before travelling it makes sense to stay in a hotel the night before and after. Which is costly, but we think is worth it for the treat. We make a real break of it.

So last night after Afternoon Tea at Edinburgh’s famous Balmoral Hotel on Princes Street we got a taxi to Charlotte Square, arriving at about 6.50pm. The site was packed, with people there to attend author talks, browse in the bookshops, and soak up the friendly atmosphere. Our first stop was to go to the two bookshops, where I bought a few books: one a Gaelic children’s book (I’m learning the language, slowly), and also two other books I’d been wanting to get for a while, on astronomy and the history of Edinburgh.

By 7.45pm we were waiting in the queue for people with reserved seats (mainly disabled people like me) and were in in good time before the event started at 8.15pm. As usual we had good front row seats, and a good view of the speakers: Ian Rankin, and Phill Jupitus who would be chatting to him for the hour.

Ian opened the event by reading an extract from his latest soon to be published Rebus novel Even Dogs in the Wild. This was interesting, and quite gripping, and made me want to read the book when it comes out. Indeed the whole event made me want to read more of the Rebus novels – I’ve read a lot of them, but not all – and also read (and reread where necessary) the short stories. I particularly liked the discussion after this opening read through about Rebus’s relationship with the gangster ‘Big Ger’ Cafferty, which Ian likened to Holmes and Moriarty. Coincidentally I’m currently reading Anthony Horowitz’s Moriarty.

After this opening section there was a more general discussion. Indeed I was relieved that they didn’t just talk about the new novel, but covered a much wider range of subjects, including as the book festival entry for the event had indicated the recent short story collection The Beat Goes On: The Complete Rebus Stories. As a big fan of short stories – partly for the form, partly because they are often easier for me to read due to memory and reading problems from my neurological disease – I was particularly interested in what Ian said about the joy of writing them, and seeing a new artefact as the end product in a pretty quick time, as opposed to the marathon many months writing that each new novel requires.

One of the most interesting sections of the talk for me was where Ian reflected on his breaks from Rebus, both more recently and in the past. His recent break was prompted by deaths in recent years of a number of friends, all at fairly young ages. So he didn’t sign a new contract for a new novel then, but took the chance to do fun things, including other types of writing – like scifi – that he normally doesn’t do, but likes to. This was picked up on to an extent in one of the questions at the end. It was a bit sad that even a very successful writer like Ian Rankin feels the pressure to write what will sell, and doesn’t have the time to write other perhaps more experimental works. But the benefits of his break were apparent.

I also liked his discussion of the writing process, both in terms of how many hours he works on the first draft of a novel, and also how he discovers plot and character through his writing. He spoke of an example where he had advance plotted a novel to great detail, and his agent loved the concept, but Ian felt no desire to write it after sorting out everything so much in advance! I don’t write fiction, but in my academic writing I often find that I am feeling my way through the writing process, coming up with new thoughts and ideas by writing, and it’s a process that I enjoy too. I could also relate to his reflections on the importance of getting away from modern pressures to write. He goes to Cromarty (“no wifi”) and finds that in a secluded environment the writing process can flow extremely effectively. He also knows of other writers who play white noise in their ears to chill out the sound of the modern world while writing.

Quite a large chunk of the talk was about Ian’s love of music, including his experiences being in a band. For quite a while there I thought Phill was going to try to coerce him to sing, but Ian dodged that, though he did share some of his lyrics with us – very dark and gloomy, and quite in keeping with much of his later writing as a crime novelist! He also shared some entertaining reflections on touring life from his brief experiences of that. And he mused on how he had been so tempted to buy a record shop …

Returning to the writing craft one interesting observation Ian made fairly late on in the talk was that he doesn’t like to over research books, to the extent of filling them with “look what I found out!” stuff in the say way that some other writers do, including in the crime genre. Though having said that, a constant running joke throughout the event was his struggle to keep up with the changing police situation e.g. current retirement age for police officers, location of CID units, even the terminology used. Phill joked that it was almost as if the Scottish police were deliberately trying to foil Ian’s writing.

There were only limited questions at the end, in the last ten minutes, but they were interesting, and all sparked off lengthy responses from Ian. Indeed during the talk Phill was a fairly gentle interviewer, typically providing a short starting point that Ian could use to explore an issue in more depth.

We skipped the signing at the end, though I’d brought a paperback copy of the recent short story collection just in case I decided to stay and get it signed. But we had a great time. And, as I said, I am very much looking forward to reading more Rebus on my Kindle (the main way I have to read now due to the brain damage and reading problems it causes). Though I think I’ll start with the short stories, because those are so approachable for me. Many I have read before, but a lot I haven’t, and should enjoy them all.

So thanks Ian! And Phill!

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I’m a keen reader of books, and have been since a young age. So it made a lot of sense that for my history PhD I studied reading habits in Scotland in the past. But it was often a case of searching for a needle in a haystack, with reading habits largely invisible and typically unrecorded. So when I found any record of what someone had read, or what reading meant to them, it was important to make the most of it, both for that single reader, and what it told us more widely.

So in that spirit, here’s a post recapping on my own reading over the last year. Oh if only I had something like this for more of my historic readers! I have in the past blogged about books I’ve finished each month, at my LiveJournal blog, but will probably discontinue that now, in favour of an end-of-year update. So this may be the first of more to come in future.

I record my reading progress in Goodreads, and so far in 2013 I’ve completed 72 books. Most of these were read on my Kindle, which I can manage much more easily now than in print, due to the brain damage and significant reading problems it causes.

Generally I read last thing at night, before sleep, sometimes for up to an hour, but more usually for half an hour. So it can take me quite some time to finish a book. I also like to have multiple books on the go. Typically I will be concentrating on one novel, but also have various collections of short stories on the go, and non-fiction works. Most are on my Kindle, so I can easily flit between them as the mood takes me, and carry them around, for example to coffee shops, easily. I’m long-term ill, with a very nasty neurological disease, which can mean that often for days or even weeks I’m too weak to read at all, even for a short time. So my reading lapses at times, but then when I’m stronger again I pick it up again.

In terms of genres my reading is quite varied. I like fantasy a lot, and horror, and mysteries. I’m less keen on hard science fiction, or too realistic crime. I’m also not generally a fan of literary fiction. Oh and I like historical novels a bit, and like steampunk a lot, and also graphic novels, which I find generally to be really easy to read, and rewarding.

I’m a member of an online book club. The book club members take turns choosing the book to be read each month. We have quite similar tastes in many ways, but throwing open the choice like this throws up some surprises for us as well.

In Goodreads I rate books finished on a 1-5 scale. 5 means it is the very best of all; 4 I enjoyed it a lot; 3 I enjoyed it but with reservations; 2 significant problems stopped me enjoying it; and 1, well I can’t go any lower than that.

I’m pleased to say that only 2 books this year rated 1: Alan Moore’s Nemo: Heart of Ice graphic novel, which was barely coherent for me, and Eoin Colfer’s First Doctor e-short for the anniversary Doctor Who short stories by children’s authors – bad for me, because the Doctor’s characterisation was so off. Another 4 books – including 2 more of the e-shorts – rated 2/5. And 16 were scored 3/5, moving into the enjoyable territory. And 32 at 4/5, i.e. very enjoyable.

18 books were rated the very best of all. These included Neil Gaiman’s American Gods, which I hadn’t read before, but was finally able to, because it was available for the Kindle. A much older book that I rated just as highly was Edmund Crispin’s The Moving Toyshop, a mystery set in Oxford, and a rollicking good read. A third memorable book was The History of the Beano: The Story So Far. It’s a history of the long-running children’s comic, and is full of old strips, as well as articles and other information about Beano history. I borrowed this book from the local university library, but was able to pick up a bargain copy for £5 at the Edinburgh Book Festival (RRP £25), so have my own copy to keep.

Another book that lingered long in the mind was Whitstable by Stephen Volk. This is a fictionalised tale of Peter Cushing encountering a real-life horror, and was wonderfully written, very moving, and quite powerful stuff. Thoroughly recommended. Likewise I hugely enjoyed Keith Miller’s 2-volume collection The Official Doctor Who Fan Club, which tells the story of this 1970s fanclub and its accompanying fanzines, including lots of facsimile reprints of the latter.

It’s been a good year for reading for me, and hopefully 2014 will be likewise. Again I expect to read mainly on my Kindle, but I’d also like to make an inroad into my academic books backlog. And if my paper is accepted for the SHARP conference in Antwerp I will also have some preparatory reading to do for that.

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