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End of another year, and time for another end of year reading retrospective from me, looking back at the books I read for fun in 2023. I adore reading, despite my progressive neurological disease meaning that I am often heavily sedated, and struggle hugely with print. Most books are read with an utterly gigantic font on my Kindle. But I gobble up books. I even have a PhD in historic Scottish reading habits, so it’s nice when I can gobble up books myself, and not just stare longingly at past historic readers who in some cases could read more than me!

This year I finished 60 books, almost 20,000 pages read, average 375 pages a week. Of these 42 of the books were fiction, 17 non fiction, and 1 a poetry collection. Here is a link to my full list for the year on Goodreads. And the picture below shows a glimpse of some of the books I was reading over the months.

Three rows of book covers side by side, including books by people like Terry Pratchett, Neil Gaiman and others. A huge mix of colours and designs.

20 of the books were fantasy genre, and 7 graphic novels or manga or comic books. Fantasy remains my favourite genre by far, and I can still read and enjoy graphic novels and manga despite my neurological problems with print. 8 books I would categorise as historical fiction (with some overlap in cases with the fantasy count), but just 6 were scifi. I read some scifi – especially Doctor Who novels – but am not a fan of hard scifi. Despite adoring since childhood first Star Trek and then Doctor Who, Babylon 5 and others. But reading is mostly about fantasy for me. I also have a fondness for children’s or YA fiction from time to time, and read 9 of those this year, ranging from old classics to modern. Only 5 of my reads this time were horror genre.

In some recent years I’ve reread a lot of much loved novels for comfort. There was less of that this year, though I reread a few, such as my annual pre-Halloween read of Roger Zelazny’s A Night in the Lonesome October. I continued my slow Wheel of Time read, with 3 more novels in that series – up to the end of number 7 now, and hoping for another couple next year. Though I’ve tended towards shorter rather than longer novels. I also read some novels for the book club I’m in.

I am surprised by how many non fiction books I gobbled up. I read these alongside fiction, flitting between the two night to night. And I had some really good non fiction reads this year. In fact when I look at my top rated books and think about which books made the biggest impression on me in 2023 it’s 3 non fiction books that stand out most.

The first two were read at the very start of the year. Firstly Mensun Bound’s The Ship Beneath the Ice: The Discovery of Shackleton’s Endurance, which was a very rare in print read for me, after I managed to nab a signed copy from my local bookshop in Broughty Ferry. Even knowing the ending of the story this was still a gripping page turner. And I cried tears at the end. Another tear jerker, though happy too, was Rob Wilkins’ Terry Pratchett: A Life With Footnotes: The Official Biography. Which was a deftly written biography of a much loved author, and so phenomenally insightful. I was delighted later in the year when it won the Hugo Award for best related work.

The third standout non fiction book was The Climate Book, written by Greta Thunberg and many many others. This is probably the most important book I have ever read. Certainly the most affecting. It’s devastating in many places, but something I needed to get to grips with. And there are seeds of hope in there. But yes, just read it.

Although my favourite books were non fiction I’d like to mention my favourite fiction books of the year too. Firstly Legends & Lattes by Travis Baldree, which was a cosy fantasy, combining a traditional fantasy world and characters with the comfort of coffee shop culture. So good! Another standout was Bob Mortimer’s comic novel The Satsuma Complex, another award winning book, which had more than a hint of Douglas Adams about its writing. It felt almost like another Dirk Gently book. And so very very funny. Finally, classic scifi The Technicolor Time Machine by Harry Harrison sees a film crew go back in time in a time machine to film a Hollywood blockbuster, with totally authentic scenery and cast – real Vikings! This was utterly bonkers. A joy.

Looking ahead to 2024 I’d like to reread The Lord of the Rings, and also Our Mutual Friend by Charles Dickens – both some of my most favourite books. And long books, so I’ll be aiming more for quality than quantity. Would also like to get through a couple more Wheel of Time books. And read more books in translation. But yes, just keep reading!

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Logo for the Cymera festival with big bold CYMERA word, in a mix of sort of scifi, horror and fantasy letter design. Below it are the word's (in capitals) Scotland's festival of science fiction, fantasy & horror writing.

This passed me by in previous years, but this year I was lucky to find out in time about the Cymera festival of fantasy, scifi and horror writing. It takes place in Edinburgh, but in recent years due to Covid has been online too. It took place in early June and I bought a digital weekend pass. This let me watch events streamed live, but more importantly let me also watch after on catchup. I had until today, 3rd July, to watch them, and have been putting in the time in recent weeks to get through as many as I could. Today I watched my last talk, my 22nd. This is a quite incredible tally for seriously ill me to have managed. And as someone with a very restricting neurological illness (I am mostly bedbound now, and asleep most of the time) it was a marvellous opportunity to watch and enjoy things from home at my own convenience that in the past you would have to be there in person to see.

I watched a huge list of panels and author chats, as listed below. Initially looking through the programme before the event I spotted 3-5 events that immediately jumped out to me. Events taking place live in Edinburgh that were streaming too, or Zoom chats that would be available to watch either live or on catchup for digital ticket holders later. However because I bought a digital weekend pass (£50, though available earlier at £40) I could watch *everything* recorded live and on catchup. And in practice I ended up watching way, way more than even I could hope. Not all the talks aired, but a huge number of them.

  • Folkways with JJA Harwood and Kit Whitfield
  • Cityscapes with Adrian Tchaikovsky, E.C. Hibbs and J.L. Worrad
  • Expanding Universes with Aliette De Bodard and Ann Leckie
  • Dead Weird with Gemma Amor, John McGlade and Heather Parry
  • Unlikely Friendships with Travis Baldree and Heather Fawcett
  • Haunted and Hunted with Fiona Barnett, Anya Bergman and Catriona Ward
  • Catching Up With Helen Sedgwick
  • War Stories with Gareth Hanrahan, Anna Smith Spark and Ian Whates
  • The Epic’s New Clothes with Sharon Emmerichs, Juliet McKenna and Claire North
  • It’s Grim up Norse with Thilde Kold Holdt, Shauna Lawless and Suzie Wilde
  • N.K. Jemisin in conversation with Tasha Suri
  • Daring Deeds with Justin Lee Anderson and Sebastien de Castell
  • Adventures in Time and Space with A.G. Riddle and Gareth Worthington
  • Catching Up With Silvia Moreno-Garcia
  • Connection, Interrupted with Nina Allan, Cory Doctorow and Ian McDonald
  • Catching Up With Brent Weeks
  • Yesterday’s Tomorrow with Nicholas Binge and Christopher Priest
  • New Scottish Stories with Paul Tonner, Letty Wilson and Ell J Walker
  • Of Gods and Dragons with Amie Kaufman and L.R. Lam
  • Dangerous Magics with Chelsea Abdullah and Hadeer Elsbai
  • Underworld with C.K. McDonnell, Sarah Painter and Adam Simcox
  • CyberJunk with M.R. Carey, Dave Cook and Ever Dundas

The order in which I watched the events above isn’t representative of what I was most intrigued by. I could flit from event to event, and saved some of the best to last. Many were two or three-author panels based around a theme with a chair person. Others were single author chats with a chair by Zoom.

The range of fantasy, scifi and horror writing covered was immense. There would rarely be a panel where I wouldn’t be adding titles to my book watch list, or even buying something immediately. Some authors I knew already, but I discovered many authors new to me, whose works I now want to read. And despite watching so many of author events I was impressed by how little overlap there was in terms of content. Every panel or chat would give me new insights and experiences into the writing process, as well as touch on the specific themes of that panel and introduce me to the writers and their books.

I would like to thank the organisers for allowing streamed access like this. It was so enabling for me, and as a reader and writer myself I am throughly inspired by having watched these. I would also like to thank the festival team for managing the technology and practicalities so well. This was a very smooth operation. I will definitely be back to watch next year. Though aiming to book my digital weekend earlier so I can benefit from the reduced early bird weekend pass price!

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As we near the end of 2017 I thought I’d reflect on the books I’ve been reading over the last year. Note this is the books I’ve been reading for fun, usually on my Kindle. I have a to-read pile for academic books of quite scary proportions – well several piles! Academic books are trickier for me to read, due to my brain damage, because I usually can’t adjust the font etc. I also tend not to get on well with PDF-based ebooks. But I read ebooks avidly for fun, and got through a fair number this year. 89 finished so far, and there may be more yet.

My list of books completed in 2017 is online at Goodreads. I set myself, just for fun, the goal of completing 50 books this year, and have surpassed it. Particularly good again given my MS-like illness, which wipes me out for much of the time, and makes reading extremely difficult.

Looking through the list of books completed in 2017 a number of trends jump out. For example I really like fantasy and horror books. I’m not a big scifi fan, preferring fantasy, sword and sorcery, magic etc. So, for example, I’ve been continuing my read through (and reread in many cases) of all the 41 Terry Pratchett Discworld novels. I completed six more Discworld books this year, numbers 32-37 in the sequence, interspersing them with other reading material. I started reading book #38 last night.

Another series that I’ve been reading throughout the year, and will carry on doing so into 2018, is Neil Gaiman’s Sandman series of comics / graphic novels. I’ve read these before, and love them, and am rereading them on my iPad in Comixology’s guided panel view. There are 10 collected graphic novel volumes in the main Sandman series, and I read numbers 1-6 this year, and am part way through number 7. Again enjoying immensely.

Other comics that I read this year included those shortlisted for the Hugo scifi awards. As a member of the 2017 Worldcon (actually attending it, in Helsinki) I got a voter’s packet of many of the Hugo shortlisted works. And that included the comics up for the award. So I read loads of these. Many of the works, such as Saga, were parts of ongoing series, but I enjoyed them nevertheless, and have thus found more comics that I want to read in future. I also read most of the Hugo-shortlisted novelettes and novellas.

The Worldcon in Helsinki was held in August 2017, and not long after that I read several horror books in the run-up to Halloween. The first was Graeme Macrae Burnet’s Booker-shortlisted His Bloody Project, more crime than horror, but could easily fit into the latter genre too. I followed this with an annual favourite reread: Roger Zelazny’s A Night in the Lonesome October. I recommend this book to any fans of horror, weird fiction etc. Especially in the days before Halloween. It is rather designed to be read daily throughout October, though I always gobble it up more quickly. Other horror works read in October include Robin Jarvis’s The Whitby Witches, and Ray Bradbury’s The Halloween Tree. October was definitely a good month of reading for me.

Although as noted above I’m not a big fan of scifi I did read several Doctor Who books throughout the year. For me Doctor Who is less a scifi series than a storytelling engine with time travelling aspects. I also read famed scifi writer Michael Moorcock’s The Jewel in the Skull, though this is very much a fantasy novel of his, rather than the scifi that some may associate him more with.

Something new for me this year was reading a number of play scripts. I haven’t done this since I was at school, wading through Shakespeare etc. Thanks to attending a nationwide cinema screening of a live performance of Rosencrantz and Guildenstern are Dead I read the script of this play afterwards. To my surprise, finding play scripts vastly easier to read than most print books – lots of space on the page, not too much crammed text to wade through – this was followed by Liz Lochhead’s Mary Queen of Scots got her head chopped off, which I saw on stage in St Andrews in the 1990s, and Rona Munro’s trilogy The James Plays about Scottish Stewart kings James I, II and III. I have my eye on David Greig’s Dunsinane play next – definitely getting a theme here for historical Scottish ones!

Quite a few of the books I read this year were bought for me as birthday or Christmas presents, usually in ebook form for my Kindle, where I read with a gigantic font and huge line spacing – more in appearance like a Ladybird book for a 5 year old child. Such present titles read included The Moon Stallion, which I saw on the television long, long ago, and Frost Hollow Hall, another Young Adult book with a historical bent and several supernatural elements to it.

I’d like to mention the books that were my favourites this year, all of which I rated as 5-star in Goodreads. In reading order they are as follows:

  • A Hat Full of Sky by Terry Pratchett
  • The Crystal Cave by Mary Stewart, the first in her Merlin trilogy
  • The Weirdstone of Brisingamen by Alan Garner
  • The Swish of the Curtain by Pamela Brown
  • Dandelion Wine by Ray Bradbury, a love-letter to small town America and childhood in the 1920s
  • Mary Queen of Scots got her head chopped off by Liz Lochhead
  • Ms Marvel vol 5 “Super Famous” graphic novel
  • Saga vol 6 graphic novel
  • Comet in Moominland by Tove Jansson – read in the run-up to our trip to Finland
  • Peril at End House by Agatha Christie – one of my favourite Hercule Poirot stories
  • Rotherweird by Andrew Caldecott
  • Tommy v Cancer: One man’s battle against the Big C by Tommy Donbavand
  • The Moon Stallion by Brian Hayles
  • The James Plays by Rona Munro
  • The Fellowship of the Ring (Lord of the Rings part 1) by JRR Tolkien
  • A Night in the Lonesome October by Roger Zelazny
  • The Lie Tree by Frances Hardinge
  • Doctor Who Yearbook 1993
  • The Express Diaries by Nick Marsh
  • Frost Hollow Hall by Emma Carroll

To be fair many of these top-rated titles were rereads for me, including my absolute favourite Lord of the Rings. But I also found some new favourites to reread in the future, including the already-mentioned The Moon Stallion and Frost Hollow Hall, and Ray Bradbury’s Dandelion Wine.

So that’s my look back at a year of reading. It’s been fun! I look forward to reading more in 2018.

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A week ago my husband and I attended the 2017 Worldcon, this year held in Helsinki, Finland. It’s taken me a few days to write up my thoughts, but better late than never.

Every year the Worldcon – the World Science Fiction Convention (also covers fantasy, horror etc.) – is held in a different location. Often it’s in North America, so it’s quite exciting if it’s elsewhere. I was last at the Worldcon in London a few years ago, and was determined to go again if it came back to Europe. Two years ago I was a site selection voter for Helsinki, and delighted to be able to go there.

The venue this year was the Helsinki Convention Centre – the Messukeskus. As a Finnish convention the programme of talks had a substantial Nordic content, including some talks in the Finnish language. And it had a massive turnout from Finnish members. Normally a Worldcon held in a non English speaking location gets around 3000 attendees through the doors over the five days. This one had over 7000, including a vast number of local memberships sold in the weeks before the con. This caused problems for overcrowding in a venue which had been picked based on the smaller numbers. Rooms were over full, queues too long, corridors jam packed. But the con organisers took drastic action, and limited new members after the first day. I can’t remember this being done at a Worldcon before, but think it was a good decision, and it was effective in reducing the problem.

However even in such a huge event with thousands of attendees it did feel remarkably intimate. Even though we’re not active participants in the fandom scene we did keep running into the same people over and over again, including fellow Scots. It actually reminded me of being an undergraduate student at St Andrews in Scotland, where you could rarely walk into the town without running into someone you know … On that subject I met an online UK friend at the con – we hadn’t arranged anything in advance, but he saw one of my tweets saying which talk I was going to next, and was able to come and find me, and we had a great chat. I also had a very memorable breakfast chat with a US fan from Illinois.

As well as taking drastic action to cope with the overcrowding issues the con, as is usual for Worldcons, was highly organised around making it accessible. For example at registration on the Wednesday we – including me in manual wheelchair – were able to go straight to the special access desk, thus avoiding the longer and winding main queue. But there were still some problems. Lifts were probably too few for the numbers needed, and often busy, both in the main hotel building (which shared part of the convention complex) and elsewhere in the convention centre. Particularly problematic for us was a huge ramp in the main convention centre, which we had to get past to get to the main trade and exhibit halls. I could never have wheeled myself up there. And there were frequent problems with people walking along looking at smartphones, and threatening to walk into wheelchairs which could not just step easily to the side to avoid them. Very much a modern malaise of course.

Because of my neurological illness, similar to multiple sclerosis, I had to alternate days of total rest with days at the con. So allowing for flights there and back I could only attend the con on Wednesday and Friday, with total sleep days between. Luckily the hotel was quiet – because of my wheelchair and mobility issues we were allocated a room in the on-site Holiday Inn. This let me come back to the room and rest between panels, and manage as much as possible.

Before the con I studied the programme – released online some weeks in advance – to see likely things I might hope to get to. There were hundreds of talks to choose from, in ten or so parallel streams over five days. I tend to prefer panels with multiple members over individual speakers, unless I’m confident the one speaker will be good. And I always hope to have a variety of subjects covered in the panels I attend. My plan was to attend on the Wednesday and Friday, but also marked up Thursday and Saturday possible events, in case I was stronger on those days. We were flying home on Sunday afternoon, so after checking out from the hotel were going to head straight to the airport.

The first panel I attended was “Uses of Fantasy” in the Academic track, a 90-minute academic panel looking at research into audience responses to the Hobbit trilogy of films, especially in Finland. This was a fascinating start to the con for me, an academic historian who researched historic reading habits for my PhD. But I also increasingly dabble in cultural history, including in the modern era. The speakers were a mix of prof, post doc and PhD student, all interesting. All very different in presentation styles, but well linked. There was much amusement among the audience about Finnish attitudes to Hobbit films: essentially huge disappointment! And there was a lively Q&A session at end. I asked my first question of the con, and another questioner was also a Scottish lady.

My second panel looked at the processes behind the Helsinki Worldcon bid, from original idea through to the con of now. This had three speakers, somewhat variable in quality, indeed one I wish had spoken less, and given the others more space. But it was an interesting insight. I was also greatly amused by the tartan tammie wearing Finn on the panel with a Scottish twinge to his accent – turned out he’d done his language residency in Edinburgh, and clearly still felt close to the country. Nice!

I had hoped to attend more panels on the first day, but in the end couldn’t keep going for so long. So my next panel was on the Friday, looking at Caribbean SF. This was in a large room on the ground floor, and I was pleased to see that the chaotic queuing of the first day had improved. Again because of the wheelchair I got a seat at the very front. Originally this panel was intended to be three Caribbean authors including chair, but a 4th author was added. This was very very good – a rich insight into the language, culture and society of the islands, and what makes Caribbean Sci-Fi and Fantasy writing unique. Each of the writers – including luminaries Karen Lord and Nalo Hopkinson – talked about their own writing approaches. And, yet again, there was a lively Q&A at the end. I asked for tips re starting points for new readers of Caribbean SF, and got many useful suggestions.

Because of the still somewhat busy talks and corridors – even after steps had been taken – we didn’t try to attend a panel more often than every two hours. This gave time to get from the previous panel to the new location, ready to queue again. As a wheelchair user I was usually seated first, but it was still sensible to get there before things got too hectic. Both my husband and I had “Access” ribbons on our Worldcon membership badges – him as my assistant – to give us priority access through crowds etc.

My second Friday panel looked at the James Webb Space Telescope, one of many astronomy talks at this year’s Worldcon. The speaker in this case was NASA public affairs officer Jenny Knott. So not a scientist, but I think she coped pretty well with questions. It was rather unfortunate that this talk was scheduled directly against another astronomy one about Mars, but both my husband – whose day job is in space technology research for the European Space Agency etc. – and me preferred to try for the telescope one. Much of the talk was a pre prepared video explaining the science behind the telescope and the plans for its launch and deployment. The rest of the time was a lively Q&A. Many people, including me (on my 4th question in successive panels), asked about the risky aspects of the mission, and about testing etc. It’s using a lot of new technology; if things go wrong it will be very hard to fix long distance. The speaker couldn’t answer everything, but again I think she did pretty well, and offered to put people interested in knowing more in touch with NASA scientists who can help more.

I had intended to go to a panel on Finnish steampunk, but went for lunch instead, and another look around the trade hall. So after that I looked in the programme book to see what else that might be on imminently that could appeal, and ended up in a panel on “Writing for Video Games”. This had five writers for video games, including three writing for interactive fiction company Choice of Games. I’m writing interactive fiction games myself at the moment, and have been interested in them for 35+ years; so am always hoping for inspiration re my own writing, which made this panel ideal. It was an interesting discussion, well balanced among the panel, and touched on lots of issues, including the role of the writer, developing a character, and agency. Again it wrapped up with a lively Q&A. I was trying not to ask a question for a 5th panel in row, but gave up after 5 mins. I asked the panel for their thoughts on how easy it was for amateurs to get into this field, based partly on the long tradition of amateur writers in interactive fiction in particular. This led to further questions, where audience members were asking for more details of free / open source systems like Inform 7, Choice Script etc.

Note: both of the last two panels mentioned above can be viewed on YouTube. Because both were in room 208 they were some of the few recorded and streamed on the Internet for viewers long distance.

I should also comment on other aspects of the con. I’ve already mentioned how easy registration was for us. In a large part this was because of the access desk, but looking across to the main registration queue it seems to have been remarkably efficient for people in general too.

The Trade Hall is always a Worldcon highlight for me, and I was there on both days. The Trade Hall was quite small this year in the number of traders, I think. There were many Finnish language books on sale, which was nice to see, even if I couldn’t buy them to read myself! Also there were several sellers of steampunk items. I could easily have bought an amazing watch and some goggles …

The Exhibits Hall was rather sparsely filled, certainly in comparison with London. There were lots of posters, but for me from my wheelchair position they weren’t always easy to read. We did like some of the displays though, including Discworld figures, and a huge Discworld Great A’Tuin turtle.

All attendees get a registration pack, including a souvenir book and various bits and bobs. I was particularly pleased to see that the souvenir book – a large format paperback – includes good articles about the history of Finnish SF and F. And as a real bonus we got a specially published collection of Finnish weird fiction in paperback form in our registration pack. This would be good enough for me in itself, but it also had the bonus of having lists at the back of it of Finnish SF and F – both short stories and longer novels etc. – available in translation in various languages worldwide. More for me to read!

Overall I’m delighted with our time at the con. I could only be there on two proper days, though my husband managed four days. We both had a fantastic time, very rewarding, which in particular has left me with a legacy of much new fiction and non fiction for me that I now want to read. We got to visit a fantastic city – the Finnish people were extremely welcoming – and had a wonderful break. I hope it’s not too long before the Worldcon comes back to the Nordic countries, but this was a wonderful experience. Thank you.

Oh and for a glimpse of Helsinki, rather more so than the Worldcon itself, my husband has uploaded quite a lot of photos from his wanders, especially on the days before the con started.

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Yesterday was the third day of the Worldcon, but my second day there, and indeed my last day. Because of my MS-like illness I need to pace myself very carefully, resting before and after big days. So once the programme of events was confirmed I decided to attend on Thursday and Saturday only. My husband however is attending on all days.

First impressions on our return to the convention were that there were more staff and volunteers visible, something I’d voiced concerns about in my last blog post. Security staff were checking that everyone coming in to the events was a paid-up Worldcon member. And there were more volunteers and helpers, including an access lady who was standing by the lift on Level 3, and gave us our proper access ribbons (to be visible for extra help mobility-wise, for me, and husband as my plus 1) to replace the temporary versions we got on Thursday. We also noticed more cosplayers i.e. fans in costume e.g. Luke Skywalker, Princess Leia, Lara Croft, Link from Zelda, and many others. And there were more people generally.

That last point caused some problems. In particular a number of rooms were overcrowded in terms of people wanting to get in, but were turned away. In addition I think some panels had been placed in too small venues, including the Doctor Who panel I attended, which was filling up rapidly half an hour before start time, and in the end was standing room only, despite rules introduced that said people without seats shouldn’t stay – at least more fans got to experience the talk, but it should have been in a larger room. Other people on Twitter commented about this in other panels.

My first panel of the day was at 10am, a retrospective looking at 1938 in scifi and fantasy, picking up on 1938 being the Retro Hugos year at this Worldcon. The panelists, including Jo Walton and John Clute, really knew their stuff, and gave a fascinating insight into the time. I particularly liked their analysis of differences between what scifi fandom then and now would perceive to have been the best works of 1938, based partly on what we are familiar with, including earlier and later years, but also based on how a 2014 audience defines scifi compared with a 1938 one. For example the panelists thought it unlikely that massively selling pulp magazine “Weird Tales” would have been perceived as scifi, and likewise both “The Sword in the Stone” – which won this year’s Retro Hugo award for best novel in 1938 – and “Out of the Silent Planet” were at the time viewed as respectively a children’s book and a literary work. As someone who voted in the Retro Hugo awards this year I found Jo Walton’s observations on the difficulties voters faced echoed many of my feelings. I only felt confident enough to vote in the Best Novel and Best Dramatic Presentation Short Form categories, and even then I had not read or listened to all of the works, but was confident enough in my assessment that my choices “The Sword in the Stone” and Orson Welles’s radio version of “The War of the Worlds” were outstanding, and I should vote for them anyway. Both won the Retro Hugo, which the panel agreed with, albeit with the caveat that the book would not have been even shortlisted. But I felt quite unable to vote in the short story or other categories, and this is largely because I’m not familiar with the pulp magazines of the time, and the Retro Voting Packet did not include the material. As a book historian I found some of the statistics for the pulps astonishing: circulation figures of hundreds of thousands in North America, which meant that they were the main way many people encountered sci fi, far more so than in published books. A fascinating panel anyway, and remarkably well attended – a packed room – for 10am on a Saturday morning, as one panelist observed.

After that we explored the dealers’ hall again. I was particularly keen to get back to the PS Publishing stall, a UK publisher I’ve bought a lot from in the past. This time I wanted to look through their reprints of 1950s horror comics, which I’d considered buying previously, but being able to flick through them and choose just the ones I wanted was much better. I found out later I got a real bargain: both paperback books for £8 each at the Worldcon stall, versus £14.99 each if bought normally. After that we looked at some more of the displays, and especially those about the history of Worldcons and scifi fandom in the UK. I photographed a bit of a poster about the history of Leeds fandom – Leeds apparently held the world’s first scifi convention in 1937! – and emailed it to my Yorkshire-born Dad, whose Dad was born in Leeds.

Horror comic reprints bought

Then we had early lunch at the Cornish pasty shop further along the boulevard on Level 1. My husband’s paternal ancestry is Cornish, and indeed our surname is Cornish, so it hadn’t taken him long to find that stall the day before and try it out! Tasty lunch, and convenient and quick. And best of all, as we were sitting munching, my husband spotted my former university classmate and friend walking by, and called him over. It was wonderful to see him again. We don’t live too far apart in Scotland, and keep meaning to arrange to meet, but with my fluctuating health it’s difficult. But we were students together, graduating in computer science 20 years ago, and the only two single honours students in our year which had a tiny class size. So we were able to catch up, and had a lovely chat. I also met his academic mother (St Andrews has a system pairing new undergraduates with more senior students – their “academic parents”) which was nice.

After this we headed towards my second panel of the day, the Doctor Who Restoration Team. As I said earlier I think this was put into far too small a venue. Fortunately though we got there early, and I was able to nab a good wheelchair space. I twittered about how packed the room was, which gave another friend warning to leave his panel early and come round promptly to be sure of a seat! And I was able to meet someone I’ve only corresponded with online before. The panel was good, though let down a bit by the panelists being out of sight for most of the audience, too low down. Also it was a little too talky, at least at the start, but improved as it went on, and the various panelists got into the nitty gritty of how they do the restoration. This wasn’t just about restoring the visual images, but also how they restore problems with the audio tracks, as guru Mark Ayres explained. We also learned how old material is still being thrown away even now, which was thoroughly depressing. The panel included a number of clips from “Out of the Unknown” which the team has been working on recently. There was also a fascinating question and answer session at the end, including one lady – Scottish no less! – who had worked at the BBC in the 1970s, and had probably created some of the video recordings which the team were now trying to restore. All in all very enjoyable, and very glad that I got to this event in particular.

After this my husband and I explored the fan village for the first time. We saw the TARDIS model on display, though the Iron Throne from Game of Thrones had been removed by now. I also picked up some material for the proposed bid for a Worldcon in Dublin in 2019. I’d love to go to that, as someone with a Dublin-born great granny. We even got a Dublin 2019 badge ribbon to add to our growing collection. And then because we were both so thirsty we plumped for cider. Really strong cider! My husband is from Somerset, and he was rather bowled over by it. After that there was time to browse some of the free leaflets, before we headed back to our hotel.

As I said it was the last day of the con for me, but I’m delighted I came. I enjoyed all the panels I went to, had great fun in the dealers’ room and displays, and had a great chance to meet friends old and new. Generally I’ve been impressed by the organisation, which has, by and large, run very smoothly. I like the venue used, and as a wheelchair user while here found it easy to get around. I also found all the fans I enountered friendly, smart and cheerful, and a very good advert for scifi and fantasy fandom in general. And yes, if it comes back to this rough part of the world in 2019, I will be back!

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