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Posts Tagged ‘publishing’

This week I attended the online SHARP 2021 book history conference. SHARP is the Society for the History of Authorship, Reading and Publishing, and holds annual academic conferences for book historians. Usually these are held face to face, and I have attended many of them in the past. But this year, because of the Covid pandemic, it was a fully online conference, hosted by the University of Muenster. The conference ran over five days, from Monday 26th July 2021 to Friday 30th July 2021, with often very packed days of parallel sessions, up to 12 hours or so each day.

I was particularly grateful for the conference being online because due to my progressive neurological disease it is now increasingly difficult for me to attend face to face conferences, even those held relatively nearby to me. It may also not be feasible for me to travel to attend any more international ones, given how knocked out I am from my brain disease, the logistics of getting there and extra costs/difficulties of attending with a helper, and problems re wheelchair access.

Even so I could only attend a small fraction of the time available to attendees, being knocked out sleeping for up to 18 hours a day due to my brain disease. Luckily I could attend from bed, in my pyjamas, with my iPad and headphones. Hence my not turning my camera on at any point when asking questions!

The conference programme was full of variety and interest, as well as some experimentation in the format of panels. There were quite a lot of 5-1-5 panels where 5 speakers would each speak for 5 minutes about a single slide per speaker before a Q&A. I must admit that I was initially rather baffled at the start of the week by what 5-1-5 meant, and ended up going back to the conference’s original call for papers for clarification! Generally though I tuned in for 60 minute panels with 2 speakers (the conference’s 60 minute variant on the more traditional 90 minute panels with 3 speakers), where each would speak for 20 minutes, before usually a lively Q&A with the audience. All handled by a chair – always very effectively in my experience at SHARP 2021. I must also praise the speakers for running admirably to time, allowing lots of time for audience participation.

The conference’s primary online delivery method was Zoom, with up to 4 rooms used simultaneously for individual sessions. Generally this worked well for me, tuning in on my iPad. Though I had some hiccups on day 2 getting into the relevant room, with initial passcode errors. So I missed the first 25 minutes of that panel, but fortunately caught most of a talk I was particularly keen to see. Online conferencing can sometimes seem very impersonal, but I found it very effective for following speakers and their slides, and for good Q&A sessions afterwards. There was also a lively text chat section available during each session, which was well utilised by audience members to make comments on points mentioned, share references and knowledge, and to ask questions. Other questions were asked live via webcam/microphone as appropriate.

The range of participants at SHARP conferences is always varied, and unusually welcoming to young scholars. But I felt this online version was particularly wide ranging in the people taking part. It was especially nice to see many questions being asked by PhD students, as well as PhD and Masters students presenting their work at the conference alongside more established academics. There was throughout a very strong sense of camaraderie and willingness to help and share information and knowledge, which was very much appreciated.

Most of the sessions were held live and not recorded, so had to be watched at the scheduled time or you’d have missed it. But a fair number were pre recorded, allowing conference attendees to watch when suitable, including throughout August. I even started watching two recorded panels on the Sunday before the conference officially started! This did not allow me to take part in live discussion with the presenters, but was an appreciated and welcome innovation. It probably also helped with some time zone and availability issues. Though it was very nice to see people attending from all around in the world, in multiple time zones. For example North Americans waking up to watch during the day in Europe while Antipodeans were staying up late to catch online panels live.

Over the week and my earlier pre-conference start I watched 9 panels. Topics covered were diverse, ranging over bookselling during a pandemic, biblioforensics and book biography, the early modern English book trade and copyright and stationer wills, dispersed libraries and library organisation (including Samuel Pepys!), the book trade in present day Mexico City and New Delhi, SHARP’s own journal Book History and its new paperback incarnation, new research into Scottish library borrowing registers (a project I’m involved with, having gifted some of my own transcripts of borrowing records from my many years ago PhD on historic Scottish reading habits), translating medieval/Renaissance books between English/Scots and Spanish and vice versa, and initiatives at the Bodleian library in Oxford re digitisation of material. All were fascinating for me, and again just a tiny fraction of the events on offer to attendees over the full 5 days of the conference.

For all the events I attended I was an avid viewer of the presentations. Often participating in the chat too, and asking questions in the panels, sometimes through the text chat, occasionally unmuting my microphone (but camera still off – pyjamas!) to discuss something more complex. Throughout I felt thoroughly engaged, inspired, and eager to do more research of my own, and learn more about some of the issues and topics I learned about during the conference.

A nice bonus is that attending the conference prompted me to rejoin SHARP. I have been a member for many years in the past, but drifted away in recent years, as my progressive disease was worsening quite dramatically. But I am still an active researcher of book history and reading history, and attending the conference inspired me to rejoin the society. The only question was whether I would rejoin with a Book History journal included. While attending the event discussing the new incarnation of the journal my mind was made up: get the new paperback journal! Plus I should add that the $38 reduced rate for students / independent scholars / retirees helped too!

Over the coming weeks – throughout August – I plan to watch more recorded panels and keynote sessions. I’m very much looking forward to this. Looking further ahead I hope that I can participate in SHARP conferences in future in some way, albeit remotely. I think it’s unlikely as I say that I can ever attend SHARP in person again. So I hope there will continue to be some online provision, even after most book historians have returned to a more normal way of working.

I also want to thank the organisers for an extremely well run event. I would particularly like to praise conference lead Corinna Norrick-Rühl, who valiantly helped me when I had connection problems. And she must have had so much else to deal with all week! I really appreciated the personal touch.

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A while back I discovered that there is a nice list of subscribers in the back of a book of poems from 1811 by Borders poet Andrew Scott (1757-1839). This seemed well worth analysing further. Indeed it’s the sort of thing that I did as part of my history PhD researching reading habits in Scotland circa 1750-1820.

I thought it might be interesting if I jotted down some thoughts about the process, before I start. The ultimate aim is some form of publication, possibly another academic journal paper.

Surprisingly little is known about the poet Andrew Scott. He was a native of Bowden in Roxburghshire, and spent some years fighting for the British army in the American Wars of Independence. Later he returned to his home parish, and for the rest of his days worked as an agricultural labourer, and also church officer (“beadle”). He died at Bowden in 1839.

His poems are fun, as indeed are the songs also included in the 1811 publication. They are mainly written in Scots, indeed more specifically Border Scots. Many are about the local area, or people he knew. There is a particularly touching poem mourning the loss of his young son.

The list of subscribers appears at the back of the book. It was common at this time for a book to be published by subscription. About 600 names appear, many from the nearby Scottish Borders area, others from elsewhere, including just across the Border in Northumberland, so relatively nearby of course.

Looking at the list of subscribers I am struck by the strong presence of women. Even married women with husbands still living, such as my 6xg-granny Mrs Usher at Melrose. Often in records of reading, including subscription lists, women are largely invisible, concealed behind the names of male relatives, if at all. This book does not seem like that.

For the men in the list in particular many occupations are given, which definitely merit further analysis. Addresses are also given for subscribers, allowing a geographical analysis, including by type of settlement.

My immediate task is to transcribe the subscription list. This will then provide the basis for the analysis steps. I may also want to research some of the subscribers more fully, perhaps using genealogical records. Much to do anyway, and a process I should enjoy very much.

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I’ve downloaded a lot of digitised out of copyright books in PDF form. The Internet Archive is a particularly good source for these. But some older books are not available there, but they are available in print on demand reprint. This includes a large number of British Library books, which were digitised in conjunction with Microsoft, and later made available as print on demand through Amazon’s CreateSpace service.

I’ve just been looking for an old history of Selkirkshire, a two-volume book by Thomas Craig-Brown which was originally published in 1886. I’d like to look at this again – I last peeked at it briefly in the 1980s – because I believe it has some interesting things to say about one of my most characterful ancestors. But neither university library nearby has a copy, and it hasn’t been digitised as part of the Internet Archive. But it is available as print on demand through the British Library / Amazon collaboration, which would allow me to read the text. I found a secondhand copy of the 1886 original, but at 500 pounds I won’t be buying it!

The problem is I can’t tell by looking at the Amazon listings for the print on demand books what I’d be buying. There are two listings for this title, both described as “The History of Selkirkshire; Or, Chronicles of Ettrick Forest”, “published” one month apart. I suspect they are volume 1 and volume 2 of the book (possibly the other way round), but the page counts don’t exactly match the printed original volumes clearly, and there is no indication of volume numbers on the Amazon listings. So I’m really not sure.

I’ve asked Amazon to check for me. They can surely look at the source files. Or pick up the print on demand copies lurking in warehouses and have a peek.

What I don’t want to do is guess and buy blind. At least this book was only published once, so I’m not worrying about which edition I’m getting. But the bibliographic details on the Amazon site for these print on demand books are extremely poor and uninformative. I’m not very impressed, wearing my book historian’s hat, plus wanting to make a canny purchase.

But hopefully Amazon Customer Services will be able to sort out the query for me.

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I have a new blog post on the SHARP (Society for the History of Authorship Reading & Publishing) website arguing for greater engagement by book historians, and SHARP members in particular, with the digital publishing revolution. See here.

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